Tuesday, 28 August 2007

Oh, dear...

I stole this thoroughly appalling joke from my workpal Kuz and shamelessly used it on Saturday evening. Couldn't resist, really.

At the barbecue I turned to my friend Jonathan and said: "You live in the country so you might know more about these things than a city boy like me. A bloke in the pub said I can have eight legs of venison for fifty quid. Is that two deer?"

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Sunday, 26 August 2007

Destiny Ties My Shoelaces Together

By way of a PS to my previous post...Spent last night at a housewarming where I caught up with some old and dear friends I haven't seen enough of lately. So it goes. Jude & Jonathan - the housewarmers - live in a picturesque wee village somewhere in Lincolnshire, or possibly South Yorkshire.

I can't be any more specific as, um, I got lost on the way there.

"Like a poor marksman you just keep missing the exit..."

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Wednesday, 22 August 2007

Canadian Ham on the Dashboard

[Originally published in my MySpace blog 22/08/2007]

You know how it is: you're having a grim and vicious day at the office – the workload's piling up, the mood's turning ugly and there's no end in sight - and somewhere between that afternoon's 18th and 19th nervous breakdown it hits you. It's that sudden flash of inspiration - that Eureka moment, that entrepreneurial epiphany – that bold and original and outrageous idea that could make you rich beyond your wildest dreams and offer you an instant escape from the rat-race.

Here's mine for today.

This afternoon, my ample-foreheaded workpal Dan was showing off his new gizmo, a satellite navigation system, or 'SatNav' for short. Now, I haven't got a SatNav myself and don't plan on acquiring one anytime soon. Maybe it's a combination of Catholic guilt, manic technophobia and hardcore sentimentality, but I just can't bring myself to trust any gadget that's designed to make life easier for me. For instance, years ago I could instantly remember dozens of phone numbers. Friends, family and local fast food delivery services all had their contact details stored away in a special compartment in my brain. Ever since I got a mobile phone, however, that region of my cerebellum has shrivelled-up and died. I now struggle to remember my own phone number, let alone anyone else's. Maybe there was a warning in the small print of the Vodafone contract. I don't know. I can't remember.

If that's what a mobile phone can do to me, I shudder to think of the horrible ways a SatNav could scramble what's left of my synapses. I might end up struggling to find my toothbrush unaided.But I digress. This afternoon - as I heard the female annunciator voice of Dan's SatNav give him clear and simple instructions on how to get to the nearest coffee machine whilst avoiding speed cameras and major roadworks - it struck me that there was something missing, something lacking. Her voice was cold, stern and metallic, the tempo brisk, efficient and flat. It was like listening to the HAL's dour nanny, KITT's insufferable sister and The Bride of Hawking all rolled into one. There was no sense of drama, no sense of bathos, no sense of passion. It was like she really didn't care.

And that's when the idea struck me like a basketball shoe across the eyes.

What if I could combine the functional convenience of the SatNav with an iconic, universally adored star of stage and screen who is the very personification of drama, of bathos, of passion? What if those instructions were delivered with a fierce intensity and subject to random feats of tempo modulation? In short, what if I invented a SatNav that sounded like William Shatner?

So, without any further ado, I'd like to present: 'The SHATNAV'.

By combining high-tech, state-of-the-art navigational technology with the mad voice of Captain Kirk, you'll know you're listening to a machine that'll DOUBLE-DAMN WELL make sure you get to exactly where you want to go. As your directions are delivered in that unique, staccato rhythm - Where. Every. Word. Seems to form... an urgent sentence - you can sit back, roll down the window, put your foot on the gas and "Boldly go… LEFT… at the next junction."

With the SHATNAV, even the most mundane school-run or shopping trip can become a pulse-pounding human adventure - a trek, if you will. "Easy as she goes, Mister Sulu" purrs the SHATNAV seductively as you approach those pesky speed cameras. "Space... the final parking space" it growls helpfully in that seemingly gridlocked Somerfield carpark. You'll laugh with joy and blush with embarrassment as the SHATNAV earnestly guides you and playfully chides you with other specially-adapted classic Captain Kirk-isms including "Like a… poor marksman… you just KEEP missing the EXIT!", "You Klingon bastard, there's roadworks ahead!" and "KHAAAAAAAAN!!".

SHATNAV – only $599.95 incl p&p
[TJ Hooker module sold separately]

Needless to say, I currently have no plans on giving up the day job.

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Saturday, 18 August 2007

National Boxers

[Originally published in my MySpace blog 18/08/2007]

For the benefit of my new friend from Seattle with exquisite music taste [translation: "similar to mine"], the lyrics to The National's sublime "Boxer" album have been unofficially transcribed HERE

For the rest of you: if you haven't listened to it yet, then what are you waiting for? It's melancholic, witty and wise and I really can't recommend it highly enough.

"You get mistaken for strangers by your own friends
When you pass them at night under the silvery, silvery citibank lights
Arm in arm in arm and eyes and eyes glazing under
Oh you wouldn't want an angel watching over
Surprise, surprise they wouldn't wannna watch
Another uninnocent, elegant fall into the unmagnificent lives of adults"

That's good shit, that is.

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Friday, 17 August 2007

Because I Can

Last night I went with my pal and gig-pimp Pete Ashton to see Damo Suzuki - former member of legendary krautrock band Can - perform at my erstwhile local muso boozer, the Hare & Hounds in Kings Heath. Frankly, I'm still trying to process the evening's events through my caffeine- and stress-addled synapses. It was, to coin a phrase I'm more than partial to using, buggier than batshit.

Which is a good thing, by the way.

Essentially, the gig was of a series of improvisational jams with Damo providing the vocals and various local bands including The Modified Toy Orchestra and The Courtesy Group providing the backing. But that doesn't really do it justice. It was very experimental and very avant-garde – in other words, the kind of things that have been known to trigger in me the involuntary rhythmic cupped-hand ideomotor response that denotes the phrase "wanker". But despite sailing perilously close to the treacherous waters of "Jazz Odyssey", it managed to be wonderful and sublime and left me grinning like a simple child.

For me, the highlight of the evening had to be Damo's jam with The Courtesy Group, who also hosted the event. It lasted about an hour, and featured some stunning improvisational work from the lead singer of the CGs [Sorry, I don't know his name - being an old-fart with a full-time job, I'm not hip on these things – dig?]. It was like watching a human beatbox at work, and reminded me of Tom Waits or Captain Beefheart. These are good things to be reminded of, by the way. When he wasn't, um, singing along with Damo he was carefully tearing strips from a copy of the local newspaper, the Birmingham Mail. At first, I naively thought it was a very subtle form of subliminal percussion, but it later dawned on me that this was probably a variation of William Burroughs' famous cut-up technique and he was using the random juxtaposition of hard-hitting local news stories and unrivalled local sports coverage as prompts for his improvisational rants. Whatever the case, it was the most productive and inspirational use of the local rag that I've seen outside of a fish-and-chip shop.

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Tuesday, 7 August 2007

Pundamentalism

Something I blurted out today to my work colleagues. It's so bad I'm sure someone must have thought of it before me:

"What do you call an irrational fear of Buddhists?"
"Zenophobia."

They really aren't being paid enough to listen to stuff like that....

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Sunday, 5 August 2007

The brain wrong of a one-man man mental...

It's been a fairly quiet weekend, probably due in fact the last three weekends were extremely hectic. After going to the Latitude Festival, my friend Rachel's wedding and Glasgow I now find myself so skint I can't pay attention. So it goes. I spent most of this afternoon varnishing my mum's porch, which - as I've already explained to someone - is not a euphamism.
But I'm determined to be reasonably prolific with this blog, so the slab of text that follows has been cut and pasted from my Friends Reunited profile. Its not really plagiarism when you steal it from yourself. I wasn't too fond of my days at Sarajevo Comp - and I'm already in touch with all the people from back then I want to be in touch with - so I thought this might deter any potential school reunion invites.


It's hideously long but, needless to say, it seems to have worked a treat.


My memories of school are dim and vague and distant. Zammo, Miss McCluskey and a sausage flying across a dinner hall on the end of a fork are about all I can remember. Maybe it's better that way. I was definitely much shorter.

After leaving school I went to St Philip's College, a prestigious institution for mutant wiseacres run by an enigmatic bald man in a wheelchair. I then spent three years at Hull University studying Combined History and Oil-Change Techniques, a unique course sponsored by the local branch of Kwik Fit. I made lifelong friends, acquired lifelong habits and fell in love, constantly.
At Univeristy I formed my first band, a genre-busting four-piece combo called "Thus Spack Bacharach." Sadly, the world wasn't ready four our post-industrial easy-listening sound which seamlessly combined the Goth Nihilism of 'Fields of the Nephilim' with the Pringle-sweatered optimism of Matt Monro. We split after our third gig, when even a blistering rendition of "Do You Know The Way To San Jose?" – featuring a pneumatic drill on a rusty tin bath as percussion - failed to incite a single stage-dive, crowd-surf or clap.

Following graduation - and the subsequent incident with the shoes - I moved to Tangiers to manage a low-rent, late-night rendezvous absinthe den ['The Absinthe Makes The Heart Grow Fonder Bar', Upper High Street, Tangiers]. I still have fond memories of the bar and its colourful clientele of journeying fugitives, fidgeting journalists and dead Victorian novelists.

Following an local outbreak of gout and blindness I left Tangiers and moved to the quaint Eastern European principality of Gertrudestein, where the President was a former Politburo Chief who convinced the locals of his democratic credentials by trimming his eyebrows as a concession to Glasnost. I ran 'The Tower of Bagel', the nation's first all-nite bakery and delicatessen [cakes and savoury snacks had previously been banned under Soviet rule, while warm bagels were tolerated, though grudgingly]. It was during this period that I met Olga Sonitchka-Maurypovichka, a beautiful, classically-trained accordion player who yearned to be a waitress. The only daughter to a family of High Society Cossacks from the upmarket Ural Mountain region, Olga was mysterious, and yet enigmatic. She had the kind of body that would make heads turn in a spinal injury ward, and the kind of teeth that could make a man believe in flossing.

Inevitably, I set about wooing her. Each night I would stand outside her apartment block in the rain, gazing at that lone, illuminated window on the top floor. After doing this for a month, I realised she was living in the basement. Eventually she invited me in, but only after I serenaded her with a rendition of Sacha Distel's "This Guy's in Love With You", accompanied by a bicycle chain and a metal bin lid.

Despite all the terrible things that Olga subsequently subjected me to, I still have fond memories of our time together. I still smile like a dim-witted child as I recall the time we tried to bake a Vattern soufflé using nothing but olives and woodchip.

Olga encouraged me to bake with wild abandon and treat the oven like a big, hot canvas. For my part, I taught Olga to break free from the conceptual straitjacket of melody and learn to think of the accordian as an odd-shaped pie. Ironically, we broke up over musical differences when I interrupted her secret tryst with the entire woodwind section of the local Philharmonic.
Alas, I had no time to grieve or sulk. The President issued a decree outlawing certain types of clogs and lederhosen. Worse yet, he unveiled of a new national flag that depicted a gingham napkin set against a turquoise backdrop. While there was some popular support for tighter lederhosen controls, the people were violently opposed to the napkin's prominence in the new flag, especially as the traditional national symbol was the serviette. Unpopular dissent soon escalated into a popular uprising. Revolution gripped the nation as mobs took to the streets, the streets took to the hills and the hills fled to the border.

As is often the case during times of violent social upheaval, cake sales plummeted. Luckily, the market in puff pastry and other savoury snacks flourished and I soon became the main provider of Cornish pasties, pork pies and spicy samosas to the hard-pressed rebel forces. This, of course, made the shop a target for the government troops, and – after a protracted siege that lasted an entire busy lunch period - I was captured and declared a prisoner of war.

Luckily, I had a smart lawyer and managed to be reclassified as a prisoner of conscience. Within days I made my first escape attempt, convincing a guard that I had a clear conscience and thereby making myself technically invisible. Sadly, I was recaptured within minutes after inadvertently remembering a regrettable incident from my youth. I was eventually freed as part of a prisoner-exchange programme and released in lieu of a noodle vendor who'd been supplying Special Fried Rice to the government troops.

Disillusioned with love, life and the savoury snack industry I recently moved to Ko Samui in Thailand where I enrolled at Roshi Ralph's Gonzo Zendo, a controversial Buddhist meditation school that tried to fuse tree-hugging Eastern mysticism with white-knuckle extreme sports. My Zen master, Roshi Ralph, was a burly, wisecracking New Yorker who eschewed the traditional look of the Buddhist monk, preferring to dress like a construction worker.
His teaching style was equally strange. Whenever I asked him to clarify a Zen koan like "Who is the master who makes the grass green?" he'd smack me across the eyes with a basketball shoe. I thought that this was his way of showing me that True Enlightenment has to be experienced directly and could not be explained through words or symbols. It was only after his arrest that I discovered that his unorthodox behaviour and casual acts of violence were due to the fact he was an escaped mental patient.

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